Friday, August 21, 2009

The Ink of History: Tribute to Cory Aquino, Ninoy Aquino, and Kim Dae Jung


(Dedicated to all my friends with roots in Korea, Malaysia, and the Philippines.)

As we commemorate the 26th year anniversary of the late Senator Benigno Aquino's assassination, we join the Korean people in their grief for their own national hero for democratization, the late President Kim Dae Jung who passed away on 18 August 2009. President Kim and Senator Aquino were close friends bound by their common detention by tyrants. I remember distinctly prior the age of the internet, that Senator Aquino had put in his will that the typewriter he used while in his 7 years and 7 months of detention be given to then prisoner Member of Parliament Kim Dae Jung, to continue to inspire him to fight on for Korea's democracy. August has become the month of democratic beacons, Cory and Ninoy Aquino, and now the late President Kim Dae Jung.

What is most arresting to me with all the three individuals is their humility despite the gargantuan tasks they completed in life. Not once have I read them speaking on how history will judge their achievements or actions. In fact many of them continued to be doubted in their lives, particularly Presidents Kim and Aquino even after they had democratized their countries. Not once did I read them begrudge their people for the favor they had done them, for it was their duty. In the face of attacks, Aquino never invoked the debt of gratitude the nation owed her. I remember President Bush II invoke repeatedly how history would judge him decently based on how he defended the United States from terrorism. The truly great and heroic seem to be those blessed with honest humility. As opposed to how Dick Cheney is maximizing every last day of his bypassed heart to justify his every move in the 8 years he manipulated the vice presidency.

I hope other world leaders watched how the Filipinos grieved President Aquino in the hundreds of thousands, and now how the Koreans are grieving their own Kim Dae Jung. This is the genuine hand of history writing itself in the tears of those for whom the greatest sacrifice was selflessly given.

Below is President Kim's biography courtesy of the Nobel Peace Prize, which he won in 2000.
---------------------

Kim Dae-jung
The Nobel Peace Prize 2000
Biography

Kim Dae-jungPresident Kim Dae-jung was born on December 3, 1925 in a small village on an island of South Korea's southwestern coast. He graduated from a commercial high school in 1943.

When the Syngman Rhee Administration (1948-1960) began to become increasingly dictatorial, he decided to enter politics. His political career proved to be rather turbulent from the start. He was elected to the National Assembly in a bi-election in 1961 after two unsuccessful bids, but, within three days of his election, the National Assembly was dissolved following a military coup d'etat led by Major General Park Chung Hee.

When he was elected again to the National Assembly in 1963, he began to emerge as a junior leader within his own party. He served as the spokesman for the Democratic Party in 1965 and became the chairman of the party's Policy Planning Committee the following year.

As President Park Chung Hee sought constitutional revisions in 1969 to allow himself to run for a third term, Kim Dae-jung gave an address against the scheme in an outdoor rally, and he was widely acclaimed for his vision and courage. He was chosen the presidential candidate of the New Democratic Party in 1971, running against the all-powerful incumbent, Park Chung Hee. Despite the obstructionist tactics and illegal electioneering practices of the ruling party, he garnered over 46 per cent of the votes cast.

During the Assembly election campaign that soon followed the presidential vote, opposition leader Kim experienced what was to be the first of at least five attempts on his life by his political foes. A heavy-load truck rammed into his car, seriously injuring him and his two aides. President Kim still suffers from the leg injury.

Barely a year after the election, President Park imposed martial law, banned all political activities and rammed the so-called Yushin (revitalizing reform) Constitution through the National Assembly. It gave the president power for life. Kim Dae-jung strenuously objected to these extra-legal measures and led campaigns against Park's regime in the U.S. and Japan. In August 1973, agents of the Korean Central Intelligence Agency abducted Kim from a Tokyo hotel. The plot was to "eliminate" him but swift and strong reactions from the U.S. and Japan resulted in his release in Seoul a week later. He was immediately placed under house arrest.

On March 1, 1976, the indomitable opposition leader joined other democracy fighters in issuing the "Independence Day Declaration for Democratization," which touched off yet another wave of pro-democracy demonstrations in Korea. Subsequently, he was sentenced to five years in prison. He remained in jail until the authorities released him and put him under house arrest in 1978.

Soon after President Park was assassinated by one of his close aides in October 1979, Kim had his civil and political rights restored. After a few months of political unrest another group of soldiers seized power and Kim Dae-jung was thrown into prison, again, in May 1980 on charges of treason. In November of that year, a military court sentenced him to death. The sentence was later commuted to life imprisonment, and then to a 20-year term. In December 1982, his prison term was suspended, and he was allowed to travel to the United States.

Kim ended his exile in the U.S. and returned home in early 1985 despite his supporters' warnings that he might meet the same tragic fate as Philippine Senator Benigno Aquino. Back in Seoul, he was immediately put under house arrest but his return intensified the nationwide pro-democracy movement. In June 1987, Kim was cleared of all outstanding charges and his civil and political rights were fully restored. He ran and was defeated in presidential elections in 1987 and 1992.

In December 1997, he was elected to the presidency, winning 40.3 per cent of the votes. When he was inaugurated as the eighth President of the Republic of Korea, it marked the first transition of power from the ruling to the opposition party in Korea's modern history.

Taking over the government in the midst of an unprecedented financial crisis, President Kim devoted himself to the task of economic recovery and managed to pull the country back from the brink of bankruptcy. Reforms and restructuring that began early in his Administration still continue.

President Kim Dae-jung's vision for the Korean people led him to pursue a policy of engagement toward North Korea. He and North Korean leader Kim Jong-il worked together on a joint declaration they signed on June 15, 2000 paving the way for a brighter future for all Koreans and other peace-loving peoples of the world.

From Les Prix Nobel. The Nobel Prizes 2000, Editor Tore Frängsmyr, [Nobel Foundation], Stockholm, 2001

This autobiography/biography was written at the time of the award and later published in the book series Les Prix Nobel/Nobel Lectures. The information is sometimes updated with an addendum submitted by the Laureate. To cite this document, always state the source as shown above.



Kim Dae-jung died on 18 August, 2009.

Monday, May 18, 2009

NBC and CBS Must Reprimand Alec Baldwin and David Letterman

NBC and CBS must reprimand their respective employees Alec Baldwin and David Letterman for attempting a cheap laugh at the expense of Filipino women. Baldwin made an irresponsible jest he thought was self deprecating by referencing mail order Filipino Brides (or Russians as he appended, to show he is not racist)as a way of solving his complex and much publicized relationships with women as lovers and his own children.

The situation of mail order brides from various impoverished countries is a real issue that endangers many lives not necessarily seeking love for love but for many complex reasons Baldwin is yet to fathom. I suggest he look up Gabriela Womens Network, with a branch in New York lead by American Book Award winning author Ninotchka Rosca, who I bet will be willing to spare precious time to educate the entertainers Letterman and Baldwin who managed not a laugh but an insult at a nation of 100 million who respect their women.

(If you want to watch it, it is on youtube.)

Wednesday, April 29, 2009

E-Chat with Amanda Andrei: W&M's First Exchange Student in the Philippines by Anushya Ramaswamy

Amanda Tira Andrei, '10, like many other William and Mary students, chose to continue the long held tradition here and study abroad for a summer or semester, sometimes both. But in her case, it was location that made her experiences unique from the numerous other students who chose to study abroad; she is the first student from William and Mary to choose to study in the Philippines, among other things in her impressive resume. I was thrilled when given the chance to interview her, by email of course, seeing as she is still in the Philippines and hear her words about her extraordinary experiences in the Philippines.

So Amanda, tell me a little about yourself.

I grew up around Northern Virginia, specifically in the Woodbridge area. I graduated from Thomas Jefferson High School for Science and Technology (TJHSST) in Annandale, VA in 2006. I attended UVA for one year, intending to be a Physics and American Studies double major with a minor in Asian Pacific American Studies, but ended up transferring to W&M and am on my way to completing a major in Anthropology and a minor in Math. My interests include theater, writing, and other arts (film, photography), but on an amateur level. I dabble in theater; doing shows here and there (acting, directing, props, and technical crew). I’m also a journalist for the Asian Fortune, a newspaper in the metro DC area that reports on Asian and Asian American related news. I also love traveling, especially to cities, but I’ve got to say that Washington D.C. is my favorite, even if many people disagree. And I’m also a foodie – I love cooking, going to different restaurants, and trying new dishes. My favorite so far has been sampling all the street food of the Philippines, from “dirty” (homemade) ice cream to chicken gizzard.

What prompted you to transfer from UVA to William and Mary? What did you find different here? What did you like better or dislike here?

There were a lot of factors playing into my decision of originally applying to UVA. I was intending to be a physics major with a concentration in astronomy, which made UVA was an ideal choice. It’s one of the top schools in the country, I was getting financial aid, and my brother was attending it, so it seemed fine. I also figured that it was such a big school, that even if it had a reputation for being “preppy” I would find a group easily. It was a very tough decision to transfer – I knew that if I left UVA, I would have to start all over again, and that with UVA I was already on a good path in terms of academics and extracurricular activities, but emotionally I felt lonely in such a big school and out of touch with most of the other students. We seemed to have conflicting interests.

Whereas here at William and Mary...

At W&M, I felt there was a much friendlier atmosphere, and you actually saw people after meeting them just once. Here it seemed like you could make friends more easily and bond. Unfortunately, W&M wasn’t as strong in my academic interests as I had hoped—let me stress though that that has changed as time has gone on—but I was hesitant that I would no longer be able to continue my physics degree, and that the anthropology program didn’t have as many classes in subjects as I would have liked. In the two years that have passed, however, I’ve found that W&M has provided me with lots of challenging courses in interesting subjects, and the teachers always seem to have time for me. My biggest lecture class had a little over a 100 people; at UVA, my biggest lecture class had about 250.

Any regrets?

I don’t regret my transfer—I know it was the right thing to do. I am grateful for everything I learned from UVA. If not for that school, I would probably not have been able to take classes with two of the best teachers I have ever known, and I probably would not have had such a high interest in racial and ethnic studies. Despite loneliness, I made a lot of friends and learned how to deal with many different people, and the challenges I faced helped me to be a better person. But I am thankful that I am at W&M now, where I feel more at home and I can be myself more.

How and why did you first get involved with FASA? What activities did you enjoy participating in? Is there any other way you are involved or would like to be involved with the Asian community?

I actually met some of the movers and shakers of FASA and the current APA scene on campus when I was making my decision to transfer. They were so warm and friendly and showed me around campus, that it helped factor into my decision. I became historian my first year here (sophomore year), and then was elected cultural chair my junior year. This year, I am president. Wow! Long way from when I was an angsty little first year at UVA. But FASA has been so good to me – FASA has been a wonderful family, and I never felt like it was too exclusive or inaccessible. I love that FASA doesn’t take itself too seriously, that they play around and have fun and don’t try to micromanage events. I’d say my favorite events have usually been the most casual ones, where someone usually brings in some food, we talk or have some kind of game, and we all just hang out. I never feel any pressure to be someone other than who I am.

Professor Tanglao-Aguas tells me you are knee-deep in the Asian Pacific American community.

Oh man maybe I should just send you my resume haha. Up in DC, I’m involved with a lot of groups… my first internship in DC was with the Organization of Chinese Americans, and it opened up so many doors for me. I got involved with more groups geared towards helping Asian Americans… from CAPAL, Conference for APA Leadership, which holds weekly intern networking seminars in DC, to DC APA Film, which supports obviously film, but also other arts in the APA community. I’ve also done regional activities, like FIND, Inc. (Filipino Intercollegiate Networking Dialogue), a networking organization stretching from Maine to Virginia geared to Filipino education. And I’ve attended lots of conferences – major ones like ECAASU (East Coast Asian American Student Union) to little ones in the DC area. The sum of it is: there are a lot of them, many more that I haven’t mentioned, but let’s just say I’ve received a wide education from many different teachers and mentors within the Asian Pacific American community.

Tell me about your exchange program with the Philippines. How did it come about? Why you choose to study there?

My mother is from the Philippines, and I still have family there. I wanted to go to the Philippines so I could learn about the type of life she had, the type of culture in which she grew up. I told Professor Francis Tanglao-Aguas about this, and fortunately he had formerly taught at Ateneo de Manila, one of the top schools in the country. It took over a year of correspondence between Ateneo, W&M, and the Philippine Embassy to figure out my situation. Looking back on it, I realize that I was so eager to go to the Philippines, I was blind to the difficulties in my way – good thing, right? I basically had to negotiate with both schools about letting me leave W&M a month early to arrive at Ateneo a week after their own classes had started. (Classes in the Philippines began November 10; I arrived in the Philippines November 15, had a weekend to rest, and started classes on November 17.) The jetlag was incredible – my first class, a Theology class, was at 9:30 AM (8:30 PM in Virginia), and I was dazedly listening to my classmates reciting Hail Mary after the priest, my Protestant-trained mind trying to keep up with the Catholic prayer. I remember struggling to copy notes from the overhead about conscience and Thomas Aquinas and feeling like I was going to throw up from my internal body rhythms going haywire, but I still had a literature class at 3:30 to attend.

Which means then that...

So bottom line: logistics were hard, but I was determined enough that I didn’t let them stand in my way. I was also very lucky that my teachers in the Anthropology Department allowed me to turn in my papers from overseas, and that W&M was very supportive of me studying abroad, particularly in the Reves Center. They wouldn’t let me settle for anything less than what I wanted.

What classes were you able to take at the Ateneo de Manila?

I took: Rizal and the Emergence of the Philippine Nation (Philippine history from early man to the Philippine revolution); Filipino Literature in English; City Dwellers (Sociology class about urbanization, specifically dealing with Philippine cities); and Marriage, Human Sexuality, and Family in the Catholic Church (Theology). I also had a private tutor who taught me Tagalog/Filipino at least 7 hours a week. A word on the theology class, mostly because the other three classes seem self-explanatory, and a lot of people asked me why I would want to put myself through the pain of a theology class with one of the most difficult teachers at the Ateneo.

That's very specific in terms of a religious studies class, the course on Catholic theology.

I’m not Catholic, but I would consider myself religious. My dad was Orthodox, my mom was brought up Protestant, and no one in my family has been Catholic in the past three generations. But I know that Catholicism is a huge part of Philippine culture – 86% of the population considers themselves Catholic, and this is a truly remarkable thing, namely because when I think about it, it seems that it’s an accident of history that the Philippines is Catholic – they really should have ended up like their neighbors in Indonesia and Malaysia. At any rate, I wanted to study this part of Philippine life, and even though it was very tough and a lot of people thought I was crazy for taking it (9:30 AM class on MWF when I could have had a 4 day weekend and traveled, multiple tests, my first ever oral exams), I enjoyed it the most out of all my classes. I learned so much about Christianity, human nature, the Church, and I had the experience of being taught by a Jesuit. Plus, as the saying goes, “misery loves company” and I bonded with my theology group mates to the point where I can consider them my barkada (group of close friends)… although that doesn’t really have to do with the class’s content.

Did you manage to squeeze in some of the famous backpacking adventures in South East Asia?

I traveled a lot! So far I’ve visited a lot in the North and South of the Philippines (but not the far south, Mindanao). I hiked the second highest mountain in the Philippines, Mt. Pulag, snorkeled with whalesharks, and went caving in Bohol in the Visayas. And I’m not an outdoors person. I’ve experienced the thrill of riding on top of a jeepney in the Cordillera, partying on the white sands of Boracay until 5 in the morning, and eating street food of chicken intestines and boiled corn in the campus of the University of the Philippines Diliman. I also visited my first non-Philippine Asian countries: Malaysia and Singapore. But my heart is in the Philippines – I’ve been challenged to physical, mental, and emotional limits, and I’ve been comforted by the presence of family and newfound friends. Coming to the Philippines was being homesick for a place I barely remembered and returning to open arms. I wish everyone could feel that same sense of security, belonging, and peace.

What did you discover in the Philippines that you did not expect? What were some cultural shocks you went through? Feel free to write anything that you want about your trip and experiences….

Haha! Hmmm I feel like I expounded a lot on that in the above question. But let’s see… culture shocks, I was not prepared for dealing with legal matters in the Philippines. And sometimes, although I knew the proper Philippine etiquette, I would choose to deal with things American style in order to get faster service. For instance, my luggage was delayed during one trip, and I repeatedly called the airline service and made no qualms about knowing Tagalog, only spoke in straight, rapid English—my normal voice, so to speak. When it came to personal possessions and money, I wanted to deal with things on my terms, which may have made it uncomfortable for the clerks or assistants dealing with me, but got things done faster.

I also had some culture shock with the gender relations in this country. I think some of the guys expected I was a “liberated American” and would try to make moves, but to my American eye it came out as too macho, clumsy, and boorish. I mean, flirting via text message? Come on now. And everyone always asked if I were dating anyone, and if my past boyfriends were either Filipino or “American” (they meant ‘white’).

Let's go back to the U.S. for a bit. Tell me a little about your internship at the Smithsonian. Start from what kind of internship, how you first applied, what did you do, what you can take away from that experience, etc….

I worked with the Asian Pacific American Program at the Smithsonian, thanks to a scholarship from the Smithsonian for minority students. I helped out with the Singgalot exhibit, an exhibit about the Filipino American experience. I also did work for the e-newsletter, helped out with public events, and was encouraged by my mentors to do independent research in areas I normally wouldn’t have explored. They recommended me a lot of literature, and I gained new perspectives of Japanese Americans, Hawaiians, and South Asians in America. I worked for ten weeks in the best office environment I’ve ever had. There were three other interns working at the time, so we bonded well. My bosses were hilarious and we were always joking with each other. And the Smithsonian is lovely in the summer time, so we would sometimes go out together for lunch, or go to the Folklife Festival and view the exhibits. The Smithsonian was amazing; I would definitely recommend anyone interested in the social sciences to work there.

If there is anything else you would like to elaborate on or clarify, about your experiences, studying abroad, or anything else you want, or just advice to students who might want to study in the Philippines?

These are the two things that are the most important to me: family and identity, and for me, both are deeply entwined. For me, my identity was strongly shaped by my family life, and I went to the Philippines more in search of family than some type of ethnic or political goal. So for me, the preservation of my family’s memories is one of my sources of strength. And traveling to the Philippines provided me with that and more. So if I could give some advice to students, I would say to find out who you are, and find out the best way to shape the person who you want to become. Don't settle for second choice. My experience when arranging my trip here was, if I want this badly enough, I'll make it happen. Be resolute in yourself and your plans, and life will open up to you. Know who you are.

Amazing! Sounds like you truly are having an amazing experience there. Thank you for this e-chat, Amanda. Safe travels.

Tuesday, April 28, 2009

Justice for Thelmo Lalic: My Uncle Who Was Murdered April 18

My Uncle Thelmo Lalic was assassinated last week, sustaining at least 12 bullet wounds to the body. He was a staunch fighter of graft and corruption. He was a role model in our family and in our town. I remember many a people who wondered about the violence in my play WHEN THE PURPLE SETTLES and how it was out of this world or weird. Here is an example that I was merely documenting what is real in my birth country. It needs to stop.

Lalic kin seek justice


By Jovi T. De Leon [1]

ANGELES CITY -- Close relatives and friends of slain former barangay chief Thelmo Lalic are clamoring for justice for his still unresolved murder.

Lalic, 62, the former barangay chairman of Malabanias in this city, was shot dead by two unidentified assailants inside the La Pieta Memorial Mark in Pulung Bulu last April 18 as he taking an early morning jog there.

"The Manny Pacquiao Blog". Click here for stories and updates on the Filipino boxing champ. [2]

He sustained several bullet wounds in the body from what police believed to be ammunition fired from a .45 caliber pistol. Twelve shells were recovered from the scene.

In an early evening call on Saturday, Sun.Star Pampanga received an overseas call from one of Lalic’s nephews seeking the media’s help to attain justice for the slain former local official.

The nephew, who requested anonymity but admitted he was calling from Africa said “We hope you could help us get justice for my uncle’s death. People in media and the police are our only hopes,” he said.

They are willing to put a meager “donation” for witnesses to help resolve the case, he said.

At Lalic’s 7:00 a.m. funeral on Sunday, the kin and close friends of who they claimed to be a friendly and cordial official were astounded by his death, much so without any development yet on his case.

A friend of Lalic who refused to identify himself told Sun.Star Pampanga, “Why would someone want to kill him? He was a good leader.”

Another bereaved relative said she does not find any reason why the elderly Lalic would be murdered, as he has no known political foes or personal enemies.

Sun.Star attempted to reach local police officials here but they declined to make any statement yet as they said they were still conducting a thorough investigation of the incident.

Friday, April 24, 2009

Asian Pacific American Studies Saves Lives Too

In advocating for Asian Pacific American Studies, I encounter a diverse array of poorly informed perspectives about the scope of the field or discipline. The most pernicious and insulting is that it is exclusive to issues of identity politics. There are certain sections of this great country below a famous geographical demarcation where despite the high level of education of their populations are nowhere near comprehending the importance of ethnic studies investigating marginalized communities. So here I am reproducing an article about a life and death scenario impacting the Asian Pacific American community that is born from the research of scholars of Asian Pacific American Studies. This research analyzes the leading cause of deaths for Asian Americans and other vital information. I hope it does some illumination into the import and expanse of the field, especially to prospective students who might be scared off by peer or family pressure that Asian Pacific American Studies will land them in unemployment lines with empty stomachs but minds filled with race based Asian power.

Report finds troubling health trends in state's Asian, Pacific communities
By
Minne Ho, UCLA NEWSroom
| 4/23/2009 12:08:00 PM
A new report by UCLA researchers reveals higher-than-average rates of cancer, childhood obesity and diabetes, and an alarmingly high population of the uninsured, among California's Asian American, Native Hawaiian and Pacific Islander communities.

Co-authored by Paul Ong, UCLA professor of public policy, social welfare and Asian American studies, and Ninez Ponce, UCLA professor of health services, "The State of Asian American, Native Hawaiian and Pacific Islander Health in California Report" is the first to use statewide health data on this population broken down by ethnic subgroups, providing a comprehensive public health snapshot of one of the fastest growing populations in the United States.

Ong and Ponce led the research for the University of California Asian American and Pacific Islander Policy Multi-Campus Research Program. The report was commissioned and released by the California Asian Pacific Islander Joint Legislative Caucus.

Collectively, California's Asian American, Native Hawaiian and Pacific Islander (AANHPI) population numbers more than 5 million and accounts for more than 14 percent of the state's total population.

"This data is essential to creating policies and programs that effectively address health disparities in the Asian American, Native Hawaiian and Pacific Islander communities," said California Assemblyman Mike Eng (D–El Monte), who led the effort to create the report. "By providing disaggregated data, it provides necessary insight for policymakers and health care providers to design and implement programs that will improve the health of this vital population."

Among the report's findings:

Cancer
AANHPIs are the only racial group in California for whom cancer is the leading cause of death, with higher rates among Asian Americans (27.7 percent) and Native Hawaiians/Pacific Islanders (25.4 percent) than whites (23.3 percent), African Americans (22.4 percent), Latinos (20.4 percent) and American Indians/Alaska Natives (20.3 percent). In addition:


* Liver cancer disproportionately strikes AANHPIs at such high rates that the cancer burden levied on this population is unmatched by other racial/ethnic health disparities in the U.S.



* Asian American women have nearly double the rate of noncompliance with cervical cancer screening guidelines compared with the overall state average, with the lowest rates of compliance among Koreans, Vietnamese, Chinese and Other Asians ("others" includes non-Vietnamese Southeast Asians and those identified as multiracial Asians).



* Asian American men also have higher rates of noncompliance with prostate cancer screening guidelines, with Vietnamese and Koreans posting the lowest screening rates of all ethnic groups and Chinese, Filipinos and Other Asians screening at rates lower than the state average.


Tuberculosis and Hepatitis
AANHPIs account for the largest proportion of tuberculosis and chronic hepatitis B cases in California, with the majority of cases among the foreign-born population.

Obesity
There is an alarming epidemic of overweight and obese children in California’s Native Hawaiian and Pacific Islander communities. In particular, more than half (54 percent) of all Samoan children — the largest percentage in the state — have body mass indexes that are not within the state-defined "healthy fitness zone." Among adults, 46 percent of Filipinos and 70 percent of Native Hawaiians/Pacific Islanders are overweight or obese, compared with the state average of 34 percent.

Diabetes
Compared with other racial and ethnic groups, Native Hawaiians/Pacific Islanders have some of the highest rates of diabetes; Filipinos, Vietnamese and South Asians also have diabetes rates higher than the state average, despite having a generally younger population.

Smoking
Among adult Filipino males, 25 percent are current smokers, compared with the state average of 19 percent for adult males.

Health Insurance
Koreans have the highest uninsured rate (33 percent) of any racial or ethnic group in the state, far outpacing the state average of 15 percent.

Mental Distress
Vietnamese and Native Hawaiians/Pacific Islanders experience frequent mental distress at higher rates than other AANHPI groups; Vietnamese represent the highest proportion of insured Californians who lack mental health coverage.


The report was funded by the California Program on Access to Care, the California Program on Opportunity and Equity, the University of California Center Sacramento and Kaiser Permanente. The complete report can be downloaded at www.asm.ca.gov/eng.

Co-authors included Melissa Gatchell, a Ph.D. candidate in health services at UCLA; Selena Ortiz, a Ph.D. candidate in health services and economics at UCLA; Yen Ling Shek, a Ph.D. candidate in higher education and organizational change at UCLA's Graduate School of Education & Information Studies; and Winston Tseng, an assistant researcher in community health and human development at the UC Berkeley School of Public Health.

The UCLA School of Public Affairs was established in 1994 to set a new direction for policy education, research and action. The school's distinctive approach emphasizes problem-solving across boundaries, particularly at the intersection of the public, private and nongovernmental sectors. The school, which offers master's degrees in public policy, social welfare and urban planning and doctoral degrees in social welfare and urban planning, also houses several research centers that address societal issues such as regional public policy, welfare reform, immigration, urban poverty, health care financing, economic development, and an aging U.S. and world population.

For more news, visit the UCLA Newsroom.

Tuesday, April 21, 2009

Obama's Kenyan Family Comes to the White House in a New Play at William and Mary

My name is Yodit Kifle and I am President of the African Cultural Society. I am writing you all today to ask that you do us a big favor and please tell your members that our cultural night entitled "COMING TO AMERICA"- a play about Obama's Kenyan relatives coming to visit him at the white house- is taking place this coming Friday the 24th at Chesapeake B&C. It will start at 8pm and we will have amazing African cuisine along with an comedic play.

Please remind them that the tickets are $5 HOWEVER, if they bring a book to support our philanthropy YES LIBERIA..the price will be reduced to just $3! You can't beat that.We will also be selling necklaces from PAPER TO PEARLS.

I know that the King and Queen Ball is also that same night...however, the event will be done in time for people to enjoy that also! A good dinner and play is always a good prep before a night of dancing:)

Thank you all for taking time to read it! I hope to see you all there! Please feel free to contact me if you have any questions!

Thank you!

Yodit Kifle

Thursday, April 16, 2009

By George! This is not Torture.

By George, the following are not considered torture tactics.

In his visit to William and Mary this year, retired General Antonio Taguba revealed his research that most of these tactics particularly waterboarding were first tried out by the Americans when they invaded the Philippines in the Philippine American War of 1898-1906.

Here is an excerpt from a report by McClatchy:

The Aug. 1, 2002 , memo to the CIA's acting general counsel, John Rizzo , signed by Assistant Attorney General Jay S. Bybee , detailed 10 techniques that were approved for use on high-level al Qaida detainee Abu Zubaydah.

The techniques were: waterboarding; placement inside a confinement box with a nonlethal insect; cramped confinement; sleep deprivation; placement in stress positions; "wall standing," in which the detainee's fingertips would have to support his full body weight as he leaned into a wall; facial slapping; facial holds to keep the head immobile; "walling" or pushing his shoulder blades against a wall constructed in a way that makes loud noises; and the "attention grasp," in which an interrogator pulls the detainee toward him.

A newly released May 10, 2005 , memo gave the green light for additional methods for other detainees, including substituting normal meals with bland or liquid diets and forcing detainees to stand nude for periods of time.

Another memo on the same day, written by then-OLC head Steven Bradbury , described "prototypical interrogation." These techniques could be authorized for up to a month at a time, during which a detainee is stripped, shackled and hooded with a collar attached to his neck. As soon as the detainee does anything "inconsistent" with the interrogators' instructions, the interrogators use an "insult slap or abdominal slap."

The techniques Bradbury approved included "walling," sleep deprivation, liquid diets and forced nudity except for an adult diaper. If medical personnel approved, repeated sessions could be initiated. Interrogators also were permitted to use a water hose to douse a detainee for several minutes.

In one memo, Bradbury signed off on a long list of limits on interrogation — including setting a maximum of 180 hours for sleep deprivation and allowing for no more than 12 minutes of waterboarding daily. Overall, no detainee could be waterboarded for more than a month.

Bradbury also discussed in detail the legal questions raised by using the various techniques.

"Our conclusion is straightforward with respect to all but two of the techniques . . . " Bradbury wrote, adding that the use of sleep deprivation and waterboarding "involve more substantial questions, with the waterboard presenting the most substantial question."

Bradbury noted that Congress' prohibitions, written to meet U.S. obligations under international law, referred to actions constituting torture must be "specifically intended to inflict severe physical or mental pain or suffering.

His memo went on to say, "drawing distinctions among gradations of pain is obviously not an easy task."

Basing his opinion partly on specialized military training, Bradbury urged "great caution" in the use of waterboarding and sleep deprivation, but concluded the methods as described by the CIA in specific instances didn't constitute torture.

Saturday, April 11, 2009

Arizona State University's Invitation for Humiliation

Dear President Michael Crow of Arizona State University,

I have been thinking of writing you since reading of the official statements coming from your Press Office as to the non-granting of an honorary degree to the current President. I was extremely concerned as the explanation was to me outrightly political and partisan, not representative of the A.S.U. that many of my friends have attended. It to me seemed like the President was being invited in order to be humiliated and disrespected. I can not recall any other President being treated like that officially by an academic institution. (I soon was taken to the time that Arizona was one of the few states that refused to honor the memory of Dr. Martin Luther King.)

While your office has apologized and renamed a scholarship program after him, the apology does not address sufficiently the ramifications of A.S.U.'s official pronouncements. I hope you know that you have raised a bell of extreme alarm to many of us in higher education as to the climate and temperament that seems to pervade your institution based on this development.

Francis Tanglao-Aguas
---------------------------------------------
No degree: ASU names scholarship for Obama
University feeling criticism of decision to withhold honorary doctorate
The Associated Press, April 11, 2009

TEMPE, Ariz. - Arizona State University says it will name a scholarship program after President Barack Obama as it continues to be stung by its decision not to award him an honorary degree.

ASU President Michael Crow issued a statement Saturday afternoon apologizing for the "confusion" surrounding a decision not to award a degree when Obama gives a commencement address on May 13.

Crow says it has always been ASU's plan to honor Obama. Since the decision not to give a degree was first reported by the student-run State Press newspaper early this week, the school has been mocked in various forums, and Politico reported on Friday that Crow was reconsidering.

Crow says ASU would instead name its "most important" scholarship the President Barack Obama Scholars program.

Thursday, April 09, 2009

Dr. Evelyn Hu-DeHart to Speak at College of William and Mary


Our guest of honor for Asian Pacific American History month is Dr. Evelyn Hu-Dehart of the Department of History from Brown University. She will be at William and Mary on April 27th. Here is a description of her talk:

“Slave or Free, Black or White:; Chinese Laborers and the Dilemma of Race and Freedom in Cuba.”

Between 1847 and 1874, 125,000 Chinese male contract workers, commonly known as coolies, were imported to Cuban sugar plantations to work alongside black slaves. Their presence raised the question of slavery and freedom, and tested the racial order of black and white. This talk explores the racial construction for Chinese and whether they constituted a third racial element in Cuban society, and discusses whether the Chinese coolies eased the transition from slave to free labor. Underlying both questions is the complex and changing nature of black-Asian relations in the context of nineteenth century Cuban history.
This discussion also illustrates new frontiers of Asian American Studies, which is increasingly comparative (black and Asian in this case), hemispheric (encompassing all of the Americas) and transnational or diasporic in approach and perspective.

Here is her bio from Brown:

Evelyn Hu-DeHart often describes herself as a multicultural person who speaks several languages (including English, Chinese, French, and Spanish) and moves easily among several cultures. Her professional life has focused on what Cuban historian Juan Perez de la Riva calls "historia de la gente sin historia."
Biography

Evelyn Hu-DeHart is Professor of History, and Director of the Center for the Study of Race and Ethnicity in America at Brown. She joined Brown from the University of Colorado at Boulder where she was Chair of the Department of Ethnic Studies and Director of the Center for Studies of Ethnicity and Race in America. She has also taught at the City University of New York system, New York University, Washington University in St. Louis, University of Arizona and University of Michigan, as well as lectured at universities and research institutes in Mexico, Peru, Cuba, France, Hongkong, Taiwan, and China.
Interests

Professor Hu-DeHart was born in China and immigrated to the United States with her parents when she was 12. As an undergraduate at Stanford University she studied in Brazil on an exchange program. She became fascinated with Latin America and that interest eventually led her to a Ph.D. in Latin American history. She has written two books on the Yaqui Indians, and is now engaged in a large research project on the Asian diaspora in Latin America and the Caribbean.

The goal of Professor Hu-DeHart`s diaspora project is to uncover and recover the history of Asian migration to Latin America and the Caribbean, and to document and analyze the contributions of these immigrants to the formation of Latin/Caribbean societies and cultures. It should also contribute towards theorizing diasporas and transnationalism. The importance and timeliness of this research was most recently demonstrated by the election of Alberto Fujimori, son of Japanese immigrants, as president of Peru. Hu-DeHart also hopes that her work will broaden the scope of Asian American studies as well as contribute to an area not well covered within Latin American studies.

Selected Publications:

Missionaries, Miners, and Indians: History of Spanish Contact with the Yaqui Indians of Northwestern New Spain, 1533-1830. Tucson: University of Arizona Press, 1981.

Yaqui Resistance and Survival: Struggle for Land and Autonomy, 1821-1910. Madison: University of Wisconsin Press, 1984.

Adaptación y Resistencia en el Yaquimi: Los Yaquis Durante la Colonia. Colección de Historia de los pueblos indígenas de México, dirigida por Teresa Rojas Rabiela y Mario Humberto Ruz. Mexico: Centro de Investigaciones y Estudios Superiores en Antropología Social (CIESAS) (Instituto Nacional Indigenista), 1995.

Across the Pacific: Asian Americans and Globalization (Editor). Philadelphia: Temple University Press, 1999.

Asians in the Americas: Transculturations and Power (co-editor with Lane Hirabayashi). Special issue of Amerasia Journal 28:2 (2002)
Voluntary Associations in the Chinese Diaspora (co-edited with Khun Eng Kuah-Pearce).Hong Kong: Hong Kong U. Press, 2006

Asia and Latin America (Editor). Special Issue of REVIEW: Literature and Arts of the Americas 72 (Spring 2006)

"Afro-Asia," (Guest Editor with Kathleen López). Special issue of Afro-Hispanic Review 27: 1 (Spring 2008).

Friday, April 03, 2009

A Little Inspiration from JUSTIN LIN


To celebrate further Asian Pacific American Heritage month at William and Mary, I post an article on Justin Lin, director of many FAST & FURIOUS films, and my classmate from UCLA (both undergrad and grad.) Note how someone like him who worked doing editing and ethnocommunications at the Japanese American Museum in L.A. is well versed in both academic and community related stuff like Asian American history, as well as commercial film making--and of course, how he coalesces both in the film franchise FAST & FURIOUS. (This story is taken from the Alumni page of UCLA School of Theatre, Film, and TV. Go BRUINS!

Justin Lin '95 supercharges his Hollywood career
Fast & Furious:

“The key is having a point of view — which is very much the UCLA approach to working on these things … You could say UCLA filmmakers try to bring an indie attitude even to studio pictures. We always try to find some kind of subjectivity or point or view.”

Alumnus Justin Lin's breakthrough feature “Better Luck Tomorrow” (2002), filmed on a budget of just $250,000, a startling suburban noir about “model minority” Asian-American high school boys drifting into crime, established his reputation as a stereotype-buster.

Arguably it was an even bolder move for Lin when he ventured off the indie cinema reservation into the glossy realm of mainstream Hollywood commercialism. With his second contribution to the internationally successful “Fast and Furious” fast cars 'n' violent crime franchise hitting theaters this month, Lin has been forthright about acknowledging that he grew up enjoying, and wanting to make, the same kinds of high octane popcorn movies as other filmmakers of his generation.

Although he has continued to alternate high octane entertainments such as “Annapolis” (2006) and “The Fast and the Furious: Tokyo Drift” (2006) with edgy low-budget fare like “Spotlighting” (2005) and “Finishing the Game” (2007), Lin recently told TFT staffer Sheila Roberts that when he saw the first mega-hit installment, “The Fast and the Furious” (2005), while still an undergraduate at TFT, he was instantly intrigued by the sub-culture of underclass street racing it portrayed.

JUSTIN LIN: The thing that made the first film work for me was that it was an introduction to a scene that nobody had seen before. I was still in graduate school and working as a TA when I saw it in theaters. I didn't understand but it was very interesting. These kids were very proud. They know that the American-made muscle cars are faster because they're bigger, but they were determined to figure out how to beat these big cars. That sub-culture was fascinating.

In a way, the illegal street scene has really died down. They confiscate and crush the cars now that are caught racing, so they have actually kind of legalized it. People go out in the desert and do the races there and make it more real. The scene has changed and I think characters grow. If we try to put the characters back into the same environment, it would “ kind of silly.

SHEILA ROBERTS: Why did you want to do the new film, the fourth? What appealed to you about revisiting the franchise again after making “Tokyo Drift”?

I am a movie fan. I grew up in the working class suburbs in the ’80s so I do love Hollywood movies. But what I don't like is when they take something that's successful and just recycle it. The goal here was not to do that, in the first place to acknowledge that there's been a passage of time. When these characters go back to the car scene, they seem a little too old for that scene. There is growth and there is maturity and I think that's part of the mythology. The way it's presented, we want the audience to figure out the timeline for themselves. I think that's part of the fun.

I think a lot of times when people think of “Fast and Furious” they think of fast cars, hot chicks, stuff like that. But I think there are good reasons why people keep wanting to see more of this franchise. Part of it is the characters and part of it is the theme. Aside from all the superficial things, this is really a franchise that's exploring the idea of family in a non-traditional way. On this film, we were trying to take that and explore the idea of sacrifice. We talked a lot about how these stories are really Westerns, but with cars instead of horses.

Was it tough coming up with a different approach for the look in “Tokyo Drift” compared to this one?

My job is to try to serve the theme of the film. When I came on the third one, “Tokyo Drift,” I was like “Well, okay, do you have to shoot it this way and does it have to look that way?” And it turned out there was a lot of flexibility. What's great about this franchise for me is that it's a bit post modern, in that stylistically it has evolved quite a bit and it's changed a lot. That's a plus for any director coming on. The challenge is not to take anything for granted.

Some directors say that while they enjoy watchhing action movies they don’t enjoy shooting them, that they find it too mechanical and therefore boring.

I’ve heard that,because action takes a lot of time and patience. The key is having a point of view — which is very much the UCLA approach to working on thse things, as opposed to (can I say this?) the USC approach. You could say UCLA filmmakers try to bring an indie attitude even to studio pictures. We always try to find some kind of subjectivity or point or view.

Designing the chases and the races is surprisingly easy, especially with the budget that we have on one of these. It's easy to say “Oh, let's do this just because it looks cool.” Many times you have to pull back and say “What are we trying to say here? Where is Brian [Paul Walker] at this point? Where is Dom [Vin Diesel] at this point?” Because we don't have a lot of scenes to really explore character we have to use the chases for that. The way they handle the cars tells the audience much more than a dialog scene about who they are. It's a short cut to see where the characters are at that point in the story.

What was one of the hardest scenes you had to shoot, logistically or otherwise?

The chases in the tunnels were something that had never been done before. What happened was I actually went and scouted tunnels in Mexico, but I wanted angles you just can't do in a real tunnel. So we had to go and find this super long warehouse down in San Pedro and build our own tunnel, in four sections. We couldn't shoot anywhere else because we needed that much control. And actually I wanted even more space. It made it tougher because we had to reconfigure our tunnel every few days.

What's your dream project as a director?

I would say it's “442,” about the Japanese American battalion. They're the most decorated battalion in history. In World War II, they were sent into all the craziest battles. I worked at the Japanese American National Museum for a while. I looked at a lot of archival interviews and stuff like that.

Unfortunately, a lot of the people that served are all passing away now and that's something that's part of their history that you hear about but you don't really know. That's a story I think should be told

Have you been pitching it to the studios? It sounds like it would be a large scale film…

It has to be a studio film. It's not a no-budget scenario. Hopefully I have enough relationships and have earned enough trust that I can do it the right way. That's the goal.

I do really feel like I'm learning and I'm growing. I'm a better filmmaker today than I was five years ago, and I'm just getting started. I feel like my best films are still ahead of me. Now it's about positioning myself to make those films.

What’s next?

I don't have anything right now. I tend to like to go do no-budget movies and stuff in between. I'm always looking to do that. I like that challenge. You have to convince everybody from the actor to the PA to come on and do it for nothing. I do feel very fortunate to be able to have both worlds, to do those and also do something like this.

Somebody told me that you drive a SAAB. That seems so anti fast and furious, somehow.

It fits me, though. With American cars, I feel like a little kid. I can't see over the hood. Japanese cars like the Lexus are just a little too nice, like it's a little too easy to drive. The SAAB is just temperamental enough. On the SAAB, you can't bring in your own phone. They have their own phone system.You have to get a special phone number just for the car and they have this voice recognition thing that maybe its native language is Swedish and it never calls the right person. My coolant light is on right now and I don't even believe it anymore.

Tuesday, March 31, 2009

Cesar Chavez Day and the Forgotten Asian Americans by John Delloro


Larry Itliong of the predominantly Pilipino Agricultural Workers Organizing Committee (AWOC).

This Cesar Chavez Day (March 31) reminds us how forgotten stories can perpetuate stereotypes.

Charlotte, an Asian American student leader at Pomona College, asked me how do we ignite people into political action and sweep away the tired public perception of Asian Americans and Pacific Islanders (AAPI) as passive and docile. I asked her if she knew the story of Pilipino or Japanese American farm workers in the fields and she admitted she knew very little. Considering the last of the Pilipino farm workers from an earlier period died in 1997 and very little has been written in any depth, most of the students across all races I met that day shared this common amnesia.

The story of Latino labor leader Cesar Chavez and the United Farm Workers of America (UFW) has been widely circulated to the point of Cesar’s birthday being designated as a California state holiday and President Obama declaring public support of it becoming a national one. It is a story that has both inspired and been used to awaken the sleeping giant of Latina/o political activism. The UFW battle cry of “Si Se Puede” has been adopted by the current burgeoning immigrant rights movement and its English translation, “Yes We Can,” by Obama in his recent successful presidential run.

However, the story of AAPI farm workers has been lost as well as the true face of AAPIs.

Many do not know that the 1965 Delano Strike, which gave birth to the UFW, was started by Pilipinos, not Cesar Chavez and the Mexican farm workers.

As the summer heat of 1965 ripened the grapes of the Delano fields, Pilipino farm workers walked off the job and struck for dignity and better working conditions. Earlier, Cesar Chavez of the mostly Mexican National Farm Workers Association (NFWA) had refused the request of Larry Itliong of the predominantly Pilipino Agricultural Workers Organizing Committee (AWOC) to join the strike. A week after the strike began, Larry approached Cesar again and this time Cesar relented, with pushing from Dolores Huerta and his wife Helen Chavez, and the Mexican workers overwhelmingly voted to join the Pilipino farm workers. Both unions merged to form the UFW. Cesar became the head of the union with Larry as second in command. Dolores Huerta became First Vice President and the Pilipino farm worker leaders filled the rest of the top six leadership positions with Philip Vera Cruz as Second Vice President, Andy Imutan as Third Vice President, and Pete Velasco as Secretary Treasurer.

Additionally, the strike led to large support from the Pilipino American community with an alliance forming between Pilipino farm workers and Pilipino professionals as the Filipino American Political Alliance (FAPA), the first national political Pilipino organization with Larry Itliong eventually becoming its president. By 1970, over 30 cities had active chapters.

By the time of this strike, many of these Pilipino farm workers had over thirty years experience fighting and striking in the field since they arrived in the late 1920s and 1930s. Most struck within the first year on the job in the US . Even earlier, Japanese American workers actively battled in the fields. Growers thought AAPI workers were too militant and confrontational and began vigorously seeking out Mexican workers, who they saw as passive, subservient and docile.

Over 40 years later, the narrative has flipped. Many perceive Latino/as as central to the revival of the US labor movement and swinging many important political elections in different places like California . Whereas, a number of people label AAPIs as culturally obsequious and compliant.

Like the growers in the past who saw Mexican farm workers as submissive, many people today assume AAPIs come from a place which emphasizes obedience and passivity more than other cultures (Passivity is present in all communities). Community leader Myung Soo Seok once told me that defining Asian values as “not making waves” is an inaccurate “American” interpretation.

This Cesar Chavez Day, we must restore the forgotten heritage of all people forged through struggle and remember the stories of AAPIs as a vibrant political force again.

John Delloro

Originally published by the Asian American Action Fund.

John Delloro is the Executive Director of the Dolores Huerta Labor Institute, LACCD and currently sits on the Legal Advisory Board of the Koreatown Immigrant Workers Alliance (KIWA) and the Board of Directors of the PWC. He was one of the co-founders of the Pilipino Workers Center of Southern California (PWC) and served as the president of the Los Angeles Chapter of the Asian Pacific American Labor Alliance (APALA). For the past decade, he also worked as a regional manager/organizer for SEIU 1000, Union of California State Workers, a staff director/organizer for SEIU 399, the Healthcare Workers Union, and an organizer for AFSCME International and HERE 226, the hotel workers union in Las Vegas.

(Thanks to my comadre, Prof. Emily Lawsin of Michigan and Wellesley for linking me to this.)

Tuesday, March 17, 2009

2nd Asian Pacific American Heritage Month at William and Mary Dedicated to Art Matsu, '28


College Celebrates its Second Asian Pacific American Heritage Month
by Francis Tanglao-Aguas

May is traditionally National Asian Pacific American (APA) Heritage month in the United States, a time to celebrate the Asian and Pacific Islander history and culture in the United States. The celebration originally began in 1978 when a Joint Resolution signed by President Jimmy Carter designated the first 10 days of May to Asian/Pacific Heritage Week. In 1990 President George H. W. Bush expanded the celebration to the entire month.

In the Fall of 2006, the pioneer class of Asian American History at the College of William and Mary began organizing the celebration of Asian Pacific American Heritage. The APAH Steering Committee opted to celebrate in March and April since final examinations commenced in May. 2009 marks the second year APA Heritage is celebrated at William and Mary.

Asian Studies Initiative dedicates this year’s celebration of Asian Pacific American Heritage month to the College of William and Mary’s first ever Asian American student, Arthur Matsu, ’28.

In March 2009, the College received a donation to its initiatives in Asian American and Asia Pacific Studies from the 7 Society in the amount of $777.77 in honor of Arthur Matsu.

Events schedule is on http://www.wm.edu/as/asianstudies/index.php for times and location.


Asian Pacific American Heritage Month Events:

March 16, 2009 - Lecture: Zainah Anwar: "What Islam, Whose Islam? From Misogyny to Equality"

March 17, 2009 - Lecture: Zainah Anwar: "Challenging History and Tradition: Women and Islamic Law"

March 18, 2009 - Lecture: Dr. Hassan Al Barari: "Is there a Chance for Middle East Peace?" at 5pm

March 20, 2009 - Performance: Yellow Rage: Spoken Poetry

March 25, 2009 - Lecture: Akbar Ahmad: "American Identity and the Challenge of Islam"

March 27, 2009 - Lecture: Professor Engseng Ho: "Indian Ocean Islam: World Religion and the Shaping of Transregional Space"

March 28, 2009 - Presentation: Panel Discission: "Middle Eastern Studies: Transregional Issues and Multi-contextual Applications"

April 5, 2009 - Workshop: Wahyu Roche & Ening Rumbini Workshop, Beginning Gamelan class. Gamelan Garage, 230pm

April 5, 2009 - Workshop: Wahyu Roche & Ening Rumbini Workshop, Intermediate Gamelan class, Gamelan Garage, 5pm

April 5, 2009 - Performance: "Wayang Kali" - original dance shadow puppet theatre from Indonesia, 7:30pm, Kimball Theatre

April 6, 2009 - Workshop: Balinese Dance Workshop with I Made Sidia

April 7, 2009 -Workshop: Sundanese Dance Workshop with Ening Rumbini

April 7, 2009 - Performance: Indonesian Music and Dance with the William and Mary Gamelan and guest performers Ening Rumbini and Wahyu Roche

April 9-11 - ROAR by Betty Shamieh, a regional premiere of a Palestinian American play on the American Dream. PBK Lab Theatre, April 9-11 at 8pm, April 11 at 2pm, $5.00 tickets

Thursday, March 12, 2009

JUNIOR'S HEGEMONIC RAP by Michael Paik, inspired by and written for WHEN THE PURPLE SETTLES

In the beginning—God created man//

And the plan was to place//

All the land in his hands//

But he got a little taste//

Of his hegemonic state, insatiable sensate//

He began to contemplate//

With the advent of race, came the advent of hate//

You understand? It was our land he began to take//

Our mothers he began to rape//

Objects to be coveted//

Manifest Destiny—the new Covenant//

Hypocrisy of democracy’s sophistry’s//

A robbery of property, autonomy, probably//

Killing, pillaging villages//

For American imperialistic policies//

To properly, monopoly, one’s own economy//

At the lost cost of another’s poverty//

A mockery of Socrates philosophy//

Prophesies of slavery and colony//

Beating, breeding the breathing heathen until it’s outta me//

Bleeding tears, Sister’s softest screams callin’ me//

As the White Man’s Burden actualizes misogyny//

Rape of my motherland’s the hatred of brothers, man//

Slavery of the mind, the sodomy’s inside of me//

Why is it so hard to be proud to be me?//

Millionaire slumdog from the Philippines//

A savage… a heathen, a rebel//

Who I refer to as he then is the devil//

When I close my eyes//

You cannot make me see all your lies//

The youth cannot possibly breathe in these skies//

It is possibly me that I despise//

That is why I put on the disguise//

When I look at the lightness of my skin//

All I see is the likeness of the sin//

All I see is the rape of my nation//

Tell me, am I black, brown, or am I Asian?//

Can I breathe? Can I live?//

Can I dream? Can I give?//

The right to be… completely free//

So that my child… can one day see//

What it means… to truly smile//

I believe… that when I freestyle //

I take away the E, turn the rape into rap//

The future is unraveled in the present through the past.//

Saturday, March 07, 2009

ART MATSU: First Asian American NFL Quarterback also a Pioneer in America's Oldest Public University

The Great Unknown and the Unknown Great: GRIDIRON PIONEER: Art Matsu, a Multi-racial Nikkei, Broke Ground
From the Nichi Bei Times Weekly April 5, 2007

In this Nichi Bei Times exclusive, Dr. Greg Robinson, author of “By the Order of the President: FDR and the Internment of Japanese Americans,” examines little-known but prominent Japanese Americans. (Thanks to Dr. Anne Charity Hudley for sending me this link.)

By GREG ROBINSON
Nichi Bei Times Contributor

In a recent issue, the Nichi Bei Times ran a feature on Scott Fujita of the National Football League’s New Orleans Saints, a professional football player from a Japanese American family. Many readers doubtless figured that Fujita must be the first Japanese American in the NFL. Others might have supposed that it was Wally Yonamine, who joined the San Francisco 49ers in 1947.

In fact, the Japanese American presence in the NFL dates back all the way to the early years of the league, 1928 to be precise, when Art Matsu briefly took the field.

Arthur Matsu was born in 1904 in Glasgow, Scotland, and came to the United States as a toddler. His father was Japanese, and his mother was Scotch. He spent his early years in Cleveland, and starred in four sports at Cleveland East High School.

In 1923, Matsu enrolled at the College of William & Mary in Williamsburg, Va. While William & Mary excluded African American students, Matsu’s athletic talent and good looks assured him campus celebrity, and he pledged two fraternities. Nevertheless, fears that Matsu’s popularity would spark interracial fraternization may have helped prompt Virginia’s Legislature to pass the Racial Purity Act in 1924, extending the state’s miscegenation law and explicitly forbidding intermarriage between Asians and whites. (This same act would be overturned in the landmark 1967 U.S. Supreme Court case Loving v. Virginia � a case in which the Japanese American Citizens League played a crucial role).

In 1924, Matsu took the field as quarterback of the William & Mary team, then known as the Indians. In November, William & Mary shut out the heavily-favored King College, 27-0, with Matsu dropkicking thee extra points, and almost beat Navy’s powerful team. The next year, Matsu helped take the Indians to the state title.

In 1926, at the start of his senior year, Matsu was named captain of the Indians. At the end of the year, in Matsu’s final game, they beat Chattanooga for bragging rights to best of the South. Although he was short even among football players of his day, Matsu was renowned for his keen passing ability and his skill as a kicker. He converted 18 extra points during a single season and kicked three 53-yard field goals.

His talent, plus his unusual racial heritage, earned him national attention. The Washington Post enthused that “The Jap is probably the most consistent extra-point man in the state,” while TIME magazine reported that he was a “clever quarterback and captain.” In 1935, Matsu was named as second-string quarterback on the All-Time William & Mary team. In addition to his football skills, Matsu excelled at golf (his talent at which he attributed to his Scottish ancestry) and diving. In the fall of 1927, following graduation, Matsu became William & Mary’s golf and swimming coach.

In the fall of 1928, Matsu joined the National Football League’s Dayton Triangles. The Triangles were in desperate need of good players: they had managed to win only one game out of 12 in their previous two seasons. Matsu was put at fullback. He was not the team’s only Asian American player � the Triangles featured a Hawaiian-born Chinese American running back, Walter Achieu (nicknamed “sneeze” because of his name).

Unfortunately, Matsu did not do well as a professional�he played in only two games. Although he made two receptions, for a total gain of 15 yards, and returned a pair of kickoffs, he completed only one of eight passing attempts and threw two interceptions. (Matsu’s teammates did not do much better � Dayton lost all of its seven games that season, and was shut out in all but one. The team later moved to New York and became the Brooklyn Dodgers, before folding in 1943).

Even after leaving the NFL, he continued nevertheless to play amateur football. In 1930, Matsu was named to a Virginia all-star team that played an all-star pro squad. While the professionals won the game, 20-7, Matsu made the only score for the Virginians with a touchdown pass to Meb Davis, his former William & Mary teammate, and then kicked the extra point.

Matsu married in 1927. His son Arthur A. Matsu was born two years later, and a daughter followed soon after. With a family to support, Matsu turned to coaching. In 1930, he was hired as football coach at Asheville High School, in Asheville, N.C. The next year he moved to Benedictine College in Richmond, Va.

In 1931, Matsu’s old William & Mary coach J. Wilder Tasker was named head coach at Rutgers University. He invited Matsu to become one of his assistant coaches. It was a plum position, especially at the height of the Great Depression. Not only did Rutgers have prestige as a birthplace of intercollegiate football, it enjoyed a certain reputation for racial tolerance based on the brilliant athletic career a decade earlier of Paul Robeson.

After five years as backfield coach, in 1936 Matsu was selected to coach Rutgers’ freshman football team. He would occupy the post off and on for two decades.

His coaching received mixed reviews. Quarterback Frank Burns, a future Rutgers head coach himself, later termed Matsu “A master of offensive football, a true innovator.” Another former Rutgers athlete, Leonard Weissburg, remembered Matsu as a very austere and strict man who rarely ever smiled, but a very good coach. Arthur Victor Mann agreed that Matsu was a great natural athlete, in spite of his short stature, and a great coach, but he added that Matsu’s great weakness was that he insisted on calling all the plays and did not let his players make decisions on their own.

Toshimasa Hosoda, a Nisei quarterback who played with Rutgers in the 1950s, recalled that Matsu did not show him any particular favor based on their common ancestry, but grumbled at him as much as the other players and did not welcome discussion on topics outside of football.

Matsu took several additional assignments during his Rutgers years. During World War II, he taught physical education and operated the physical fitness program for the school’s Army Specialized Training Corps. He also served as Rutgers’s Assistant Sports Publicity Director. Matsu kept in fine shape himself. In 1948, he won the Rutgers alumni golf tournament, beating several younger athletes.

In 1955 Matsu left Rutgers, and some years later moved to Arizona, where he sold real estate and served as a scout for Arizona State University. He spent his last years near Phoenix, Arizona, where he died in 1987.

Greg Robinson, Ph.D., the author of “By Order of the President: FDR and the Internment of Japanese Americans,” is an assistant professor of history at the Universite de Quebec a Montreal.
<< Back
Comment submitted by Yoshi Nakamura on January 3, 2008; 3:58 am (GMT):
Greg,

I hope all is well. I just wanted to bring to your attention a potential Japanese/American NFL Draftee, Haruki Nakamura. Not sure if there has been any Japanese Americans drafted in recent years, but Haruki will hopefully be one. Attached please find the link to Haruki's YouTube.com highlight video.

"Haruki Nakamura Ultimate Highlight"
http://www.youtube.com/watch?v=hHApgrJarw8

Thursday, March 05, 2009

Pre-eminent Muslim Woman Leader to Visit SEX & RACE on March 17


In April, 2007, I hosted the seminal Malaysian poet and scholar Dr. Nor Faridah Abdul Manaf at William and Mary. This 2009, courtesy of Dr. Laurie Koloski of the Reves International Center, William and Mary is honored to host the leader and scholar Ms. Zainah Anwar.

Zainah Anwar, Co-Founder, Sisters In Islam, Malaysia

Monday, March 16
"What Islam, Whose Islam? From Misogyny to Equality"
5:00pm; Commonwealth Auditorium (Sadler Center)

Tuesday, March 17
Visiting “Sex and Race in Plays and Films” in Theatre Department and Asian Studies
2:00PM, PBK 222

Tuesday, March 17
"Challenging History and Tradition: Women and Islamic Law"
5:00pm, W&M Law School, room 127


All events are free, and the public is welcome. For more details on the talks and Ms. Anwar, please see http://web.wm.edu/revescenter/campus/Kraemer.php



Zainah Anwar is a prominent feminist and public intellectual, and the Executive Director of the organization "Sisters in Islam" in Malaysia. Ms. Anwar received a postgraduate degree from the Fletcher School of Law and Diplomacy at Tufts University, and is a former member of Malaysia’s Human Rights Commission. She has been profiled in the International Herald Tribune and on the PBS news show, “Frontline.”

Ms. Anwar’s book, Islamic Revivalism in Malaysia: Dakwah among the Students (Pelanduk, 1987), continues to be cited for its insights into modern-day Islam in Malaysia, and she is a frequent contributor to the editorial pages of Malaysia’s main newspaper, the New Straits Times. Her recent editorials cover such topics as freedom of the press, the underachievement of boys in Malaysian schools, compassion and pluralism in Islam, freedom of religion in the Arab world, and Malaysia’s gender gap in politics and the economy.

Sisters in Islam is a Malaysian non-governmental organization founded in 1988 that is committed to upholding the principles of justice and human rights for women within the framework of Islam. Their program highlights provision of legal services, public education, outreach and advocacy to promote legal reform and protect the rights of women. SIS has published a number of publications concerning women, Islam and the law, including the following titles: Are Muslim Men Allowed to Beat Their Wives?, Islam and Family Planning, and Hadith on Women in Marriage. They have also conducted research on the impact of polygamy on the family, have developed draft legislation on Islamic Family Law, and maintain an active media presence in Malaysia to combat movements by government officials and religious authorities to restrict the rights of women at home and in society.

Biography

Zainah Anwar is the Executive Director of Sisters in Islam (SIS), a non-governmental organization working on the rights of Muslim women within the framework of Islam. She was also a former member of the Human Rights Commission of Malaysia. Sisters in Islam is at the forefront of the womens' movement which seeks to end discrimination against women in the name of religion. Zainah Anwar has been key to the high public profile of Sisters in Islam. She is its main spokesperson and gives public talks on Islam and women's rights, politics and fundamental liberties. Her other work experience includes: Chief Programme Officer, Political Affairs Division, Commonwealth Secretariat, London; Freelance Writer; Senior Analyst, Institute of Strategic and International Studies, Kuala Lumpur; Political and Diplomatic Writer, The New Straits Times, Kuala Lumpur. Her book, Islamic Revivalism in Malaysia: Dakwah Among the Students has become a standard reference in the study of Islam in Malaysia. She was educated at the Fletcher School of Law and Diplomacy, Tufts University, Boston University and the MARA Institute of Technology, Malaysia, in the fields of international relations and journalism.Lectures on Women and Islamic Law, featuring activist Zainah Anwar.

Tuesday, February 24, 2009

American Premiere of WHEN THE PURPLE SETTLES


‘Purple’ brings professor’s story to W&M stage
By Erin Zagursky

When Francis Tanglao-Aguas’ niece, Hannah, was born – the first of his family to be born in the United States – he found himself asking what they would tell her when she began asking difficult questions about the family’s history. Why had they left the Philippines? Why did they get to live in the United States when the rest of their relatives were in the Philippines?

That experience led the William & Mary professor to write the play “When the Purple Settles,” in the hopes that it would help provide “a frank and candid answer to our children when they start wanting to know the truths about our family,” he said.

“This is my life’s story, plain and simple,” said the newly tenured Director of Asian Studies and Associate Professor of Theatre, Speech, and Dance. “But I also think it is everyone’s story because every family has a secret, a life-changing secret that takes a lifetime to heal, to settle.”

The original “hip-hopera,” which has achieved international recognition, is now set for its American premiere at William & Mary’s Phi Beta Kappa Hall on Feb. 26 to 27 at 8 p.m., Feb. 28 at 2 and 8 p.m., and March 1 at 2 p.m. Tickets may be purchased at the William & Mary Box Office.

“Purple” is the first faculty-written play that has been produced at William and Mary since the early 1970s. It was developed at the Francis Ford Coppola New Play Festival at UCLA, and it has won several awards, including the 2002 Don Carlos Palanca Award in the Philippines. Even with the international acclaim, Tanglao-Aguas said it is special to be able to share this piece with his family’s community: William & Mary and Williamsburg.

“They get to know me, and I get to open myself up through the forum of theatre,” he said.

Tanglao-Aguas was born in the Philippines, where he grew up seeing the effects of 450 years of foreign domination on his country’s economy, military and politics. When he was 15 years old, he was detained and questioned for an essay he wrote on graft and corruption in his local government. Eventually, his family left the country because of the political and economic situation there. They went first to Nigeria and then on to California. Tanglao-Aguas said that in the 20 years from when the family first settled in America to it becoming an American family, “tectonically shocking changes happened in our family.” When his sister gave birth to Hannah, it provided Tanglao-Aguas a chance to reflect on those changes, and in turn, that reflection gave birth to his play.

Because of the intensely personal nature of the project, the process was not just about writing. It was a chance for Tanglao-Aguas to “heal.”

“Other families’ scars are physical, others spiritual or psychological,” he said. “In my case, I was born in a country teeming with all kinds of bruises and scars. What is fortuitous is that I have the ‘theatre’ and the United States as places where I have the luxury of reflection and meditation to heal.”

If he had stayed in the Philippines, he probably still would have found a way to express himself, he said, “but I also would have been a very different person. I certainly would not have this opportunity to share my story with an audience who comes into it with a fresher perspective being so far from the Philippines.”

The play, which took 10 years to complete, centers on “Junior” who is a hip-hop artist/singer/dancer/writer who is about to become a father, said Tanglao-Aguas. As the play starts, Junior’s wife is in the hospital ready to give birth, but Junior is not by her side. He is at home, writing a play about his mother, who was pregnant with her first child when Ferdinand Marcos was in power in the Philippines.

The play tries to illustrate why Junior chooses to write this play while his wife was giving birth, instead of being there with her, said Tanglao-Aguas.

“The implication of course is that Junior needs to write this play in order to become a decent father,” he said. “For it is in the play where he must face the demons, secrets, skeletons in his family that un-reflected upon, might cause him to make some grave mistake in raising his family.”

Though the themes of the play may seem heavy, Tanglao-Aguas emphasized that it is “actually quite funny.”

“For indeed, if we were to go to the Philippines, the first thing you would notice is what a fun, laid back, even romantic and musical place it is,” he said. “And why not? Poor people do not walk around moping all day – that’s just not in the Filipino spirit. Instead, there is music and dancing everywhere.”

Tanglao-Aguas calls his play a hip-hopera because “I would like to think the piece is very hip, very cool – ultra modern,” he said. “But opera is also there in the music composed by Jerome Golden (’11), and while we will indeed have some opera singing, I also take opera to mean the truly elevated emotions and situations we only see in opera, be they lyric or soap opera.”

Adding to the play’s “cool” factor are its multi-media and interdisciplinary elements. Richmond-based artist Roberto Jamora worked with Tanglao-Aguas to create video installations projected during the play, in collaboration with Cameron Rust (’11), the production’s projections designer.

Additionally, said Tanglao-Aguas, the play will include singing, dancing, poetry and even rollerblading. “Who knew that it was at William and Mary where I could find my collaborating choreographers like Prof. Leah Glenn, Kalyani Phansalkar (’11), Ravali Ceyyur (’11), and Jennifer Robinson (’11).”

“I guess I would not be so opposed to prefacing it as Cirque De Soleil with words dance, video and singing,” he said.

Tanglao-Aguas said he hopes the audience members “have a blast.”

“We’re doing our best to make them laugh, cry, get angry, want to sing or dance,” he said. “I hope people say, I never thought history could be that much fun and wild when put onstage. For sure, no one’s seen a dance number in a scene where martial law is declared.”

Wednesday, February 11, 2009

Because Bruins Get the Job Done: Good for you, Troy Aikman!



Since Joe Montana, Jerry Rice, and Steve Young retired from my San Francisco 49ers, I haven't watched as much as NFL as I used to. Back in those days, my Uncles would lead superbowl parties deep into the night--much like Thanksgiving. I have to add to that list of greats, the retirement of Troy Aikman, a fellow Bruin. Read on below on Aikman's efforts to graduate from UCLA with his BA in Sociology, 20 years after leaving school for the draft.

Aikman getting college degree 20 years later

Feb 10, 3:34 pm EST

DALLAS (AP)—Troy Aikman’s passing days didn’t end when he retired from the Dallas Cowboys.

The Hall of Fame quarterback says he’s passed his two final college courses and will graduate in June from UCLA—20 years after he left for the NFL.

The Dallas Morning News reported Tuesday that Aikman is getting a bachelor’s degree in sociology and will participate in UCLA’s graduation ceremonies.

The 42-year-old Fox Sports broadcaster says he’s “finally taking care of unfinished business.”

Aikman says he promised his mother, when he left school just two courses shy of a degree, that he would return and finish.

Aikman’s final two courses included a class on race and ethnicity, and another on aging.

He earned an “A” for both.

Tuesday, February 10, 2009

PURPLE in DAILY PRESS

by David Nicholson, Daily Press, February 8, 2009

Finally, a fascinating work closes out the month at William and Mary Theatre. "When the Purple Settles," written by W&M theater professor Francis Tanglao-Aguas, deals with a Filipino-American family and the pursuit of the American dream. Tanglao-Aguas weaves different musical and cultural forces into his production, everything from opera to hip-hop, traditional Filipino movement to classical Indian dancing.

Tanglao-Aguas wrote and developed "When the Purple Settles" at the Francis Ford Coppola New Play festival at UCLA. The play went on to win a Philippine playwriting prize known as the Palance Award.

At W&M, Tanglao-Aguas and several students have started the IPAX — International Performance Arts eXchange, which explores new directions in the performing arts. More information is available online at web.wm.edu/so/ipax/ Mission.htm.

"When the Purple Settles," Williams and Mary Theatre. 8 p.m. Feb. 26-28 and 2 p.m. March 1. Phi Beta Kappa Memorial Hall, College of William and Mary, 601 Jamestown Road, Williamsburg. $10 adults, $5 students/children. 221-2674 or online at www.wm.edu/boxoffice.

From the classics to the contemporary, some exciting theater promises to chase away the winter chills.

Nicholson can be reached at 247-4794 or by e-mail at dnicholson@dailypress.com.

Monday, February 09, 2009

WHEN THE PURPLE SETTLES, Feb 26-March 1, College of William and Mary in Virginia


Written and Directed by Francis Tanglao-Aguas
Assistant Director: Jason Blackwell
Stage Manager: Joey Thomas
Technical Director: David H. Dudley
Choreographers: Leah Glenn, Kalyani Phansalkar, Jennifer Robinson, Francis Tanglao-Aguas
Original Music: Sam Davis, Jerome Golden, Michael Paik
Scene Design: Steve Mitchell
Lighting Design: David Moody
Costume Design: Jennifer Anderson
Sound Design: Trey Comstock
Projection Design: Cameron Rust
Video Artist: Roberto Jamora
Publicity & Marketing: Amy Brabrand
Original Art & Graphic Design: Roberto Jamora

CAST:
Abhay Ahluwalia
Derik Kim
David Mendier
Darren Migneault
Eric Nold
Luke Pickett
Matt Schares
moniKa Bernotas
Chloe Lewis
Kristen Pilgrim
Chelsea Reba
Ellie Terrell
Jessica Chilin-Hernández
Alice Wang
Karmen Leung
Kalyani Phansalkar
Eddy Hong
Kate Lee
Jasper Lu
Evan Campbell
Francesca Chilcote
Stephanie Demaree
Tommy Gillespie
Joey Thomas
Bernadette Sy
Genice Phillips
Michael Paik

Tuesday, February 03, 2009

I Want to Meet Danny Sillada to Ask Him if this Piece Can Be the Cover of SARIMANOK TRAVELS


A painter, poet, philosopher, musician, performance artist,and literary & art critic from Mindanao, Philippines, Danny C. Sillada took a 360-degree detour from his vocation to the priesthood to embrace his artistic calling in the art world. As a multimedia artist, he has already received numerous citations and awards and to date, has already launched 11 one-man shows as a surrealist painter.

Hailed by author and art historian Manny Duldulao as the foremost Filipino colorist in the country, his images are inherently sensual, sensitive, and teeming with vibrant colors.

His art, according to the UP professor and art critic Reuben Ramas Cañete, “is culled from manifold, eclectic sources, as diverse as his biographical experiences, and the polyglotality of the embedded culture of the Mindanaoan. His works evoke a general air of hyperspatiality studded with the more everyday visualizations of terrestrial environments, reminiscent of the surreal hyperspaces of Yves Tanguy, E.M. Escher, Reñe Magritte and Paul Delvaux.”

Described as the Renaissance Man, a research paper submitted to the University of Asia and the Pacific, Sillada is the embodiment of a Filipino who defies the existing trend. His multi-faceted attribute in the humanities, as a Filipino Renaissance man, is identical with those of well-rounded historical figures during the Renaissance period in Europe.

“Sillada is a visual artist recognized in the Philippine art scene for his paintings and installation artworks, a literary writer who is into prose and poetry, a philosopher, whose writings are akin with existentialism, a first-rate performance artist, and also an art-critic.” (The Life & Works of Danny C. Sillada by Michael Marlowe Uy & Katrina Kalaw, September 2006).

Born 27 April 1963, Cateel, Davao Oriental, Philippines, Danilo “Danny” Castillones Sillada was cited as a gifted child in elementary school. He started painting and earning from his artworks at age 7 and was the first to receive the Artist of the Year Award in Maryknoll High School of Cateel in 1981, then run by the American Maryknoll Missionaries.

At 17, he entered the seminary and finished his BA Philosophy & Literature in 1986 at the Queen of Apostles College Seminary. He underwent his Bachelor in Sacred Theology and postgraduate studies in Pastoral Theology at the University of Santo Tomas, Manila (1987 to 1991).

In 1992, he left his vocation shortly before his ordination to the priesthood and pursued his MBA at the Ateneo Graduate School of Business, Makati City. He worked as head of Marketing & Corporate Relations Office, Fortune Medicare, Inc., Makati City, from 1993 to 1995. In the last quarter of 1995, Sillada, then young executive, resigned from his promising career in the corporate world to become a full-time painter.

In 2003, he received two Pasidungog Centennial Awards in the fields of literary and visual arts in Davao Oriental, Philippines, and currently, one of the 13 featured artists of SAG (an on-line multimedia arts based in America, USA) along with international artists such as musicians, literary writers and visual artists.

As poet and philosopher, he has published his works local and international both on print and on-line publications. As a performance artist, he had already performed fifteen solo live art performances. In 2005, Sillada is one of the participants to the Philippine International Performance Art Festival (PIFAF) that was held in Manila on September 18-22, 2005 with one of his acclaimed solo performances “To Let the Blood Flow”.

To date, Sillada had already launched eleven one-man shows and organized a prestigious and historic multimedia art event known as the “DC Sillada Convergence” in 2006 and 2007 respectively at The Podium, Mandaluyong City, Philippines.

Danny Sillada is currently working on his forthcoming art exhibit and projects on ethnic music album and books on philosophical essays, collection of prose and journal and a novel due for publication in 2008 and 2009.

-Paula Brillson’s Profile of the Artist